![]() ![]() In 1999, the song nabbed two Grammy Awards, for Best Country Song and Best Female Country Vocal Performance. 2 on the Billboard Hot 100, becoming Twain's first Top 10 crossover hit, and also topped the adult contemporary charts. The crossover gamble worked like a charm: "You're Still the One" only spent one week atop the country charts, but the single peaked at No. "The music, I believe, transcended genres," she continues, "and the universal message of the lyrics gave it broad crossover appeal." "Although the song has country elements of warm, acoustic strumming, the verses are dominated by piano, while a smoldering organ, my last favorite instrument, stands out as the most prominent sound on the choruses," Twain writes in From This Moment On, calling the song "a personal favorite of mine." 27, 1998, was unique because it was also marketed to pop and adult contemporary radio stations. The song wasn't the first country chart-topper to come from Twain's 1997 LP, Come on Over that honor went to the album's initial single, "Love Gets Me Every Time." But "You're Still the One," which was originally released in the U.S. ![]() "As I sang the chorus melody repeatedly while working out the lyrics, he kicked in with the counter line, 'You're still the one,' and it gave me chills. "I remember feeling very excited about the counter line sung by Mutt as backing vocals in "You're Still the One,"" she adds. We wrote independently and merged ideas when we joined up. "It's surprising that we were able to write all this stuff with so little time together. "Mutt and I spent a lot of time apart as I was promoting and touring, and he was in studios working on tracks and arrangements as we wrote," Twain writes. ![]()
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